The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film is in British and Irish theaters from 17 November.
